In each history , and above e actually(prenominal) in the history of art , there are two main(prenominal) aspects , from which the subdue may be considered . The subject may be either studied from the point of view of general tendencies , the evolution of oddballs and ideas , their subject event , and the circumstances that surrounded and fostered their growth or assist may be given to the achievements of individuals , their personality , and the contributions that they respectively make to the general progress It is real that in any well-rounded field of honor the two must be amalgamate , must supplement and confirm each other . Which ever shape is followed to guide the selection and arrangement of the facts , the study cannot follow it to the sine little exclusion of the other . Yet the artist is no less dependen t upon external circumstances for the occasion and the veridical of his whole caboodle . Had not the predecessors worked through generations of experiment and notice to improve the familiar types to attain gety over the stubborn amount of money of stain and bronze , and to acquire and perfect a skilled proficiency in the treatment of the nude and of drapery , no cutter of the fifth coulomb could have conceived or penalise the cobwebby yet symmetrical contortions of the Discobolus . Had Myron been born a century anterior , he could no to a greater intent have produced these works than if he had lived at the present dayBefore the study approaches the work of this individual master , it may be advisable to take a more general survey of the character of Greek shape , as contrasted with earlier and later styles . No art , and especially that of sculpture , can make true progress unless it is constant quantityly unplowed in touch with nature by observation . present again the social surroundings of the Greek artis! t gave him an grand advantage over all others .
The quotidian exercises in the palaestra or gymnasium and the often recurring athletic festivals gave him constant opportunities for observing the human exercise both in residue and in action This matinee idol of condition and of all-round tendinous development with the help of a well-trained memory is one of the old-timer attainments of Myron . For the observation of drapery , excessively , he had constant opportunities in the figures that surrounded him in daily life . There he could see a motley and grace of texture and of folds such(prenominal) as no draping of a moulding in unfamiliar with(predicate) garments and materials could ever have suggestedIt is true that the kindred opportunities for varied observation did not exist in the human face of the nude fe manful person figure . It is perhaps for this very reason that Greek statues of this type , however beautiful in form rarely if ever impress us with the akin breadth and nobility of fancy as the corresponding male figures , whether of gods or men The emotional state of the Greeks themselves about the result is well illustrated by the story of Zeuxis at Croton , how the citizenry of that town , when they commissioned him to paint a...If you deficiency to get a full essay, order it on our website: OrderCustomPaper.com
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